Black Swan and the female-mission death myth
example · film: Black Swan ·
retold in 3 talks
Žižek argues the film revives the reactionary myth that a woman who fully identifies with her vocation must die, whereas men are permitted to pursue their mission, citing parallels in Hoffmann's Tales, Red Shoes, and Kieślowski's Double Life of Véronique.
As told 2
“This ultra-male-chauvinist myth that while a man can be a king… a woman has to make a choice. If you identify too much with your mission, it means self-destruction, death.”
“a woman cannot do it, a woman have to choose. Either your public mission... or your private life”
What it carries
one story, many jobs: the ideas this anecdote is deployed to argue, one tally mark per use (an idea page shows the same relation from the other end, as its shelf of stories)
Its cast and sources
populated by
Helmuth von Moltke (the Elder)2Jack London2Ignatius of Loyola1E.T.A. Hoffmann1Geoffrey Rush1Robert Solomon1Markus Gabriel1Juliano Mer-Khamis1
alongside works
Every retelling 2
Žižek argues the film revives the reactionary myth that a woman who fully identifies with her vocation must die, whereas men are permitted to pursue their mission, citing parallels in Hoffmann's Tales, Red Shoes, and Kieślowski's Double Life of Véronique., illustrating sexuality-gender,symbolic identity,ideology
Žižek argues The Black Swan repeats the Hoffmann-to-Kieślowski myth that a woman who fully identifies with her public mission will self-destruct, while a man can combine mission and private life. He traces it from Hoffmann's Tales to Kieślowski's Double Life of Véronique., illustrating reactive violence,gender ideology,ideology in cinema