žižek archive
archive / stories / Elysium / Zardoz / The Dome as capitalist enclosure

Elysium / Zardoz / The Dome as capitalist enclosure

example · cinema · retold in 3 talks

Žižek endorses Sloterdijk's thesis that global capitalism is an enclosure (cupola/globe) by pointing to films that knew this long before theory: Boorman's Zardoz (elite inside, primitives outside), Elysium, and the TV series Under the Dome all figure the fundamental dystopian metaphor of sealed capitalist space.

As told 2

“Who knew this for a long time... the good old one John Boorman directed it with Sean Connery... Zardoz. Where you know the elite lives within and then primitives outside.”
“So it's either Elysium or global cooperation, if you ask me.”

What it carries

one story, many jobs: the ideas this anecdote is deployed to argue, one tally mark per use (an idea page shows the same relation from the other end, as its shelf of stories)

Its cast and sources

populated by
alongside works

Every retelling 2

Žižek endorses Sloterdijk's thesis that global capitalism is an enclosure (cupola/globe) by pointing to films that knew this long before theory: Boorman's Zardoz (elite inside, primitives outside), Elysium, and the TV series Under the Dome all figure the fundamental dystopian metaphor of sealed capitalist space., illustrating global capitalism as enclosure,productive paradigm critique
The choice is figured by two films: Zardoz and Elysium (with Matt Damon), where the elite lives apart. Either Elysium-style elite escape or genuine global cooperation, no third way., illustrating global cooperation,class struggle