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King Kong and the Palace of Soviets

anecdote · Film history · retold in 3 talks

The producers who later made King Kong visited the USSR and saw the constructivist model for the Palace of Soviets, a gigantic skyscraper with a colossal statue of Lenin on top. They said: replace Lenin with an ape and you have King Kong. The iconic image of capitalist cinema originates in Soviet constructivist ambition.

2009: 1 talk 2014: 1 talk 2015: 1 talk
≤2000talks it is told in, per year2026

As told 3

“They saw this famous constructivist model it was never built for the Palace of Soviets, a skyscraper and on the top gigantic statue of Lenin. They said: replace Lenin with ape and you have the ultimate.”
“replace Lenin with ape and you get-”
“Up, exchange Lenin with ape, we get the basic image. Direct Soviet influence — that image.”

What it carries

one story, many jobs: the ideas this anecdote is deployed to argue, one tally mark per use (an idea page shows the same relation from the other end, as its shelf of stories)

contents · one story, 1 jobsuses
political unconscious ×1

Its cast and sources

populated by
alongside works

Every retelling 3

The producers who later made King Kong visited the USSR and saw the constructivist model for the Palace of Soviets, a gigantic skyscraper with a colossal statue of Lenin on top. They said: replace Lenin with an ape and you have King Kong. The iconic image of capitalist cinema originates in Soviet constructivist ambition., illustrating capitalism and communism,culture industry,Soviet modernity
The claim that the producers of King Kong modeled the giant ape on the unfinished Palace of Soviets project in Moscow, where planes could land on Lenin's statue., illustrating cinema-art-culture
The producers of King Kong visited the Soviet Union and were shown architectural plans for the never-built Palace of Soviets, a massive structure with a Lenin statue on top. They took the image, replaced Lenin with an ape, and got the basic image of King Kong atop a tower., illustrating Soviet-Hollywood mutual influence,architecture as symptom,class and monstrosity