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Wagner's heroes as Wandering Jew figures

example · opera: Wagner · retold in 5 talks

From the Flying Dutchman (designated by Wagner as 'Ahasver des Ozeans') through Wotan-as-Wanderer to Amfortas in Parsifal, Wagner's hero-type is the wandering Jew / the undead who wants to die and cannot, the antisemite's work embodies what he hates.

2015: 1 talk 2016: 1 talk 2021: 1 talk
≤2000talks it is told in, per year2026

As told 2

“wagner himself designated fliegender holländer as ahasver des ozeans.”
“It's a weird obscene life which insists even after its biological death.”

What it carries

one story, many jobs: the ideas this anecdote is deployed to argue, one tally mark per use (an idea page shows the same relation from the other end, as its shelf of stories)

Its cast and sources

populated by
alongside works

Every retelling 3

From the Flying Dutchman (designated by Wagner as 'Ahasver des Ozeans') through Wotan-as-Wanderer to Amfortas in Parsifal, Wagner's hero-type is the wandering Jew / the undead who wants to die and cannot, the antisemite's work embodies what he hates., illustrating the undead,the artist's work versus the artist's person
The main hero of all Wagner's operas, from the Flying Dutchman to Amfortas in Parsifal, is the figure of the wandering Jew: wounded, wanting to die but unable to die. Wagner himself said the Dutchman is Ahasverus. The anti-Semite's art celebrates the tragic Jewish figure., illustrating art defeats the artist
Wagner's heroes (Flying Dutchman, Amfortas) and zombies/vampires embody the death drive: an 'obscene life' that insists and repeats beyond death, remaining 'undead'., illustrating death drive,obscene bodily infinity,Wiederholungszwang