žižek archive
archive / stories / Act of Killing, Indonesian death-squad TV show

Act of Killing, Indonesian death-squad TV show

example · film: The Act of Killing · retold in 3 talks

Anwar Congo and former Indonesian death-squad members appear on a state TV talk show, boasting in detail about raping and torturing thousands of people in 1965-66, with audience applause and a cheery moderator, a public obscenity that exceeds even Nazi secrecy.

2009: 1 talk 2012: 1 talk 2015: 1 talk
≤2000talks it is told in, per year2026

As told 3

“They don't even have this minimum of decency that even the Nazis had... they simply publicly boast about it all.”
~0:00 At Nuit Blache2012-09-29 · 2:06:58
“the beaming moderator turns to the camera and says 'Amazing! Let's give Anwar Congo a round of applause!'”
“for them, the Indonesian right-wing murderers, to do it, they had to act. They had to identify with Hollywood with Humphrey Bogart, all the noir and so on.”

What it carries

one story, many jobs: the ideas this anecdote is deployed to argue, one tally mark per use (an idea page shows the same relation from the other end, as its shelf of stories)

Its cast and sources

populated by
alongside works

Every retelling 3

~0:00 At Nuit Blache2012-09-29 · 2:06:58
Anwar Congo and former Indonesian death-squad members appear on a state TV talk show, boasting in detail about raping and torturing thousands of people in 1965-66, with audience applause and a cheery moderator, a public obscenity that exceeds even Nazi secrecy., illustrating disintegration of Big Other,end of the world as we know it,no ethnic cleansing without poetry
In Joshua Oppenheimer's film, former death-squad leaders openly describe and boast about their massacres and rapes, inspired by Hollywood gangster movies; Indonesian state TV celebrated them with applause. Žižek calls this the ethical catastrophe of globalization, even the last remnant of shame (secrecy) is gone., illustrating ethical catastrophe of globalization,Ubuization of power
Joshua Oppenheimer's documentary shows Indonesian right-wing killers could only carry out their murders by identifying with Hollywood noir personas, violence is not natural but requires a learned performative script., illustrating staged spontaneity,learned pleasures