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Spielberg films: restoration of paternal authority

example · film: E.T.; film: Schindler's List; film: War of the Worlds; film: Jurassic Park (Spielberg) · retold in 3 talks

Across E.T., Schindler's List, War of the Worlds, and Jurassic Park, the true narrative is the transformation of a bad father into a good father, the official Holocaust or alien plots are vehicles for this libidinal story.

2006: 1 talk 2010: 1 talk 2016: 1 talk
≤2000talks it is told in, per year2026

As told 3

“the true story is the restoration of paternal authority. And you cannot take this away.”
“Almost all his films are variations on the motif of father rediscovering, returning to his paternity. Bad father rediscovering himself as a good father.”
“E.T. is for me just a kind of a vanishing mediator... the father abandoned the family... E.T. goes home... family is re-established.”

What it carries

one story, many jobs: the ideas this anecdote is deployed to argue, one tally mark per use (an idea page shows the same relation from the other end, as its shelf of stories)

Its cast and sources

populated by
alongside works

Every retelling 3

Across E.T., Schindler's List, War of the Worlds, and Jurassic Park, the true narrative is the transformation of a bad father into a good father, the official Holocaust or alien plots are vehicles for this libidinal story., illustrating libidinal undercurrent,paternal authority,ideology of film
Across E.T., Schindler's List, Jurassic Park, War of the Worlds, and Empire of the Sun, Spielberg's films repeat one story: a bad or absent father undergoes a crisis that allows him to rediscover and be accepted as a good father. The real drama is paternal, regardless of the surface genre (dinosaurs, aliens, Holocaust)., illustrating Hollywood ideology,father motif,ideological fantasy
Žižek claims that across Jurassic Park, E.T., War of the Worlds, and Schindler's List, Spielberg's underlying motive is the restoration of proper paternal authority to a failed father figure., illustrating ideology,the big Other