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Tarkovsky as most materialist and most spiritualist filmmaker

example · film: Tarkovsky · retold in 6 talks

Žižek uses Tarkovsky to illustrate the paradox of 20th-century finitude-based spiritualism: precisely because we are stuck in our bodies and environment, this gives existence an unfathomable abyss, the most materialist filmmaker is also the most spiritual.

2004: 1 talk 2009: 2 talks 2014: 1 talk 2020: 2 talks
≤2000talks it is told in, per year2026

As told 6

“who is the most materialist cinema maker… My choice would have been Andrei Tarkovsky… but he is also the most spiritualist”
5:04 The Monstrocity of Christ2009-04-20 · 1:21:01
“when heroes are praying they don't pray looking upwards, they pray by sometimes literally immersing their heads into mud”
“When heroes are praying, they don't pray looking upwards. They pray by sometimes literally immersing their heads into mud, close contact with earth.”

What it carries

one story, many jobs: the ideas this anecdote is deployed to argue, one tally mark per use (an idea page shows the same relation from the other end, as its shelf of stories)

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populated by
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Every retelling 6

5:04 The Monstrocity of Christ2009-04-20 · 1:21:01
Žižek uses Tarkovsky to illustrate the paradox of 20th-century finitude-based spiritualism: precisely because we are stuck in our bodies and environment, this gives existence an unfathomable abyss, the most materialist filmmaker is also the most spiritual., illustrating post-secular theology,finitude and spiritualization,the reversal of materialism and spiritualism
In Tarkovsky's films, heroes praying immerse their heads in mud rather than looking upward, exemplifying a spiritualism that clings obsessively to the density and inertia of matter, which Žižek identifies as the true idealism today (opposed to his formal materialism)., illustrating purely formal materialism,spiritual materialism
Tarkovsky, the arch-spiritual director, is obsessed with the inertia and density of matter: his heroes pray by immersing their heads in mud rather than looking upward, illustrating today's idealism, which is the very clinging to dense, earthy matter that Žižek contrasts with formal materialism., illustrating spiritual materialism,formal materialism,materialism vs idealism
Žižek observes that Tarkovsky, perhaps the most spiritualist filmmaker, is also the most materialist: spiritual experiences are depicted through immersion in earth, mud, and water, not ascent to heaven. Used to illustrate the paradox of materialist spirituality., illustrating materialist spirituality,formalism vs. vulgar materialism
The most spiritually immersive scene in Tarkovsky is not a hero looking up to the sky but down at the earth, head in humid water or mud. Žižek uses this to show that today's spiritualists (not materialists) are obsessed with earthly, bodily finitude., illustrating inversion of materialism and idealism,bodily finitude as spiritual domain
Žižek quotes Tarkovsky's aphorism to argue that purely digital/disembodied communication is more spiritually deficient than naked bodily presence, affirming physical contact as the only real medium to the other., illustrating embodiment,sexuality and the pandemic,critique of digital intimacy