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Fluid Subjectivity & Performative Identity

Gender, Sexuality & Late-Capitalist Subjectivity · 23 concepts · 49 talks · 86.8 hours · 2000–2025

The 'plus' in LGBT+ read not as an open empirical list of identities but as the name for subjectivity itself, the excess over any fixed identity, the non-identical remainder that is today's subject.

2000: 1 talk 2004: 1 talk 2009: 5 talks 2012: 1 talk 2013: 2 talks 2014: 1 talk 2015: 2 talks 2016: 4 talks 2017: 6 talks 2018: 8 talks 2019: 6 talks 2020: 1 talk 2021: 4 talks 2022: 2 talks 2023: 1 talk 2024: 1 talk 2025: 3 talks
≤2000talks carrying this idea, per year2026

The stories that teach it

the jokes and anecdotes he reaches for when he works in this idea, ranked by how many of its talks they turn up in; each card is one story, with every retelling on its page

example · in 5 of its talks

Antigone rewritten, three alternate scenarios

Žižek describes his book rewriting Antigone in three alternate-history versions: (1) Sophocles' original; (2) Antigone wins the argument with Creon but this triggers revolt and ruin; (3) the Chorus executes both Antigone and Creon as traitors establishing Jacobin terror. He us…

example · in 4 of its talks

Billy Bathgate / bad novel and bad movie generating virtual ideal

Both the Doctorow novel and its film adaptation are bad, yet through their repetition a third purely virtual entity emerges, the ideal novel that should have been. This is Žižek's model for the unconscious as a virtual, non-substantial entity.

anecdote · in 4 of its talks

Bernie Sanders at Biden's inauguration

Žižek notes that Bernie Sanders 'stole the show' at Biden's inauguration just by sitting there with his gloves, while Trump's shooting photo never became legendary, meaning millions sensed the inauguration was a fake return to normalcy.

example · in 3 of its talks

Eliot on Artistic Change

T.S. Eliot’s claim that new art changes the past, which Žižek uses to argue the past is 'open' and actualized by the present, not just re-interpreted.

example · in 3 of its talks

Zeuxis and Parrhasius

Two painters compete; one paints grapes so real birds peck them; the other paints a curtain. The second wins because he organizes the surface to generate the appearance of something behind it.

anecdote · in 3 of its talks

God as Lazy Programmer

God is described as a 'lazy programmer' who left reality 'non-all' (incomplete) not out of ignorance, but because it is ontologically undetermined, allowing for the gap of subjectivity.

Where it comes up 49

54 moments located in the transcripts, click a timestamp to play from there

Zizek Studies Conference2018-05-19 · 1:01:00
~38:01 plus (in LGBT+)
then everything will be okay, everyone can choose. And here the infamous plus enters, which I think is the most interesting part of LGBTQ+ movement. I'm really for them here. This is Hegel in practice. We just should not read it in an empiricist way. …
~28:13 performative identity
bitch of a mother. It is crazy. There is—we don't have any natural balance to return to. Going back to this fluidity of sexual identities, here I again had a very friendly debate with Judith Butler. The problem years ago, the problem was this one: …
29:34 protean subject
… It's—she is simply, for example in Gender Trouble, describing the predominant form of, let's use this bombastic term, late capitalist mode of subjectivity.
+1 more in this talk
~30:18 plus (in LGBT+)
some debates, do you leave out Q, do you add even more, but the point is this plus which serves to include all those left out. It's a kind of a nominalist-empiricist modesty. Our classification is never exclusive and to be open to new discoveries …
~2:08:37 plus (in LGBT+)
LGBT plus. Did you notice the nice ideology of plus? The list is never complete, so now the finally established formula is LGBTQ plus. Yes. And for me plus is Lacanian Object a, you know. That you don't know what it is but you have …
Modalities of the Absolute2018-11-05 · 2:01:44
~36:59 plus (in LGBT+)
such—it’s not one among particular objects, but an object which is just a stand-in for a void, for the impossibility to specify an object. What do I mean by this? Let me give you a simple example. Let’s take another example which I already used …
~1:05:17 plus (in LGBT+)
I cannot because we don't know them yet or I cannot because we didn't yet even constitute them but like an ersatz signaling a possible but never actualized full list or and that comes here here comes the beauty or is plus an identity of …

The company it keeps

thought with
alongside works

Nearest in meaning

Concepts in this idea 23

19
plus (in LGBT+)
The 'plus' in LGBT+ read not as an open empirical list of identities but as the name for subjectivity itself, the excess over any fixed identity, the non-identical remainder that is today's subject.
7
performative identity
Butler's thesis that gender/sexual identity is not biologically fixed but produced through contingent discursive acts; Žižek accepts the constructivist point but insists it is grounded in a non-contingent antagonism.
4
protean subject
Žižek's characterisation of fluid, self-reinventing, performatively constructed identity as the predominant form of subjectivity under late capitalism rather than a subversive one.
4
plastic self-undermining identity
The oppressive demand in contemporary gender ideology to constantly reconstruct and shift identities, which Žižek views as a form of hedonistic tyranny.
3
post-Oedipal subjectivity
The mode of subjectivity interpellated by video games: a not-yet-castrated, floatingly immortal subject immune to definitive destruction.
2
capitalist reappropriation of '68
Žižek's thesis that the libidinal logic of the '68 uprising, unlimited self-reinvention, breaking all constraints, has been captured and enacted by figures like Elon Musk within capitalist production.
2
yuppie ideology
Žižek's characterization of Butler's performative identity politics as the purified ideology of the current capitalist ruling class, rather than a subversive act.
1
comic identification
Identity determined entirely from the outside by contingency and language, rather than by an inner tragic fate or essence.