The Last Temptation of Christ
example · film: The Last Temptation of Christ ·
retold in 3 talks
Žižek reads Scorsese's film as Christ acting as a hysteric, resisting his role ('Why do I have to play this role?') and wanting to 'screw ladies in Samaria.'
≤2000talks it is told in, per year2026
As told 3
“Christ's resistance. 'F*ck it, why should I be the son of God?'”
“the message of christianity is here radically atheist. it's death of christ is not any kind of redemption... it's simply the disintegration of the god which guarantees the meaning of our lives.”
“What dies on the cross is precisely this guarantee of the big other.”
What it carries
one story, many jobs: the ideas this anecdote is deployed to argue, one tally mark per use (an idea page shows the same relation from the other end, as its shelf of stories)
Its cast and sources
populated by
Lindsay Anderson2Nikos Kazantzakis2Miloš Forman2Martin Scorsese3Bob Fosse2John Frankenheimer2Michelangelo Antonioni2Abimael Guzmán2
alongside works
Every retelling 3
Žižek reads Scorsese's film as Christ acting as a hysteric, resisting his role ('Why do I have to play this role?') and wanting to 'screw ladies in Samaria.', illustrating hysterical discourse,religion-theology
Kazantzakis's novel and Scorsese's film show Christ's own hysterical questioning of his identity. The Book of Job shows God validating Job's refusal to accept theological justification for suffering, the first step toward delegitimizing suffering and toward Christianity's radically atheist gesture., illustrating hysteria,subjective destitution,Christianity as atheism
Scorsese's film presents Christ as not simply accepting his divine destiny but experiencing it as traumatic news, a hysterical questioning of his own symbolic identity. The crucifixion is read as the death of the big Other., illustrating hysteria,Christianity and the big Other,subjective destitution